By Allen Feldman
Excavating a scenography of trials—formal or covert, orchestrated or improvised, criminalizing or criminal—Feldman exhibits how the desire to fact disappears into the very violence it interrogates. He maps the sensory inscriptions and erasures of battle, highlighting conflict as a media that severs factuality from reality to render violence simply. He proposes that battle promotes an anesthesiology that interdicts the witness of a sensory and affective commons that has the ability to talk fact to warfare. Feldman makes use of layered deconstructive description to slow down the ballistical pace of conflict to salvage the embodied actualities and fabric histories that conflict reduces to the ashes of collateral harm, the automatism of drones, and the opacities of black websites. the result's a penetrating paintings that marries serious visible concept, political philosophy, anthropology, and media archeology right into a trenchant dissection of rising sorts of sovereignty and kingdom strength that warfare now makes possible.
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Extra resources for Archives of the Insensible: Of War, Photopolitics, and Dead Memory
Archives of the Insensible: Of War, Photopolitics, and Dead Memory by Allen Feldman